Aeon: A Miniature Suite for Bassoon and Piano was written at the request of my very good friend, Carl Rath, who wanted a piece based on the very evocative wildlife photographs of Montana artist,
Ahead of All Parting explores the emotions of life, death, and what lies beyond as told through the lush sounds of the harp and the dark, sonorous qualities of the mezzo-soprano and bassoon.
By Daniel Baldwin. Ballade for Bassoon Choir is an arrangement of the middle movement of Neoteric Suite for bassoon, horn, and cello. It is a tender and passionate love ballade that
The Ballade for Bassoon and Piano, Op. 34, was composed for the bassoon studio examinations in 1912. The work is of moderate difficulty, only utilizing the upper range of the instrument to the
The first concerto of its kind, Cane tells a dramatic story of one bassoon reed's journey from its origins as raw, organic cane, to the final joy of playing on the finished reed. The colors
Cantilene Op. 59 for bassoon and piano by Eugene Jancourt (1815-1901). Jancourt's Cantilene is considered by some to be one of his loveliest works, offering the soloist ample opportunities
Colored Stones tells the story of three stones: smoky quartz, lapis lazuli, and tiger's eye. Some cultures and spiritual practices believe these stones have powerful qualities such as the ability
This unique, delightful arrangement of the Haydn Concerto for Trumpet accompanied by bassoon ensemble was first performed by trumpeter, John Hagstrom, of the Chicago Symphony with the Sooner
This famous piece by Mozart is a must for any advanced player!
Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types
As a composer, Breczinski has written a number of works that have been performed by such ensembles as WiZARDS! A Double Reed Consort, the Encore Wind Ensemble, and the Sorcerers Double Reed Quartet, at such
The first published work for bassoon by a woman dates to 1930: Ruth Crawford Seeger's Diaphonic Suite for bassoon and cello is a chromatic etude in duet form. In Diaphonic, Kyle Hovatter
For two of the principals of the Pittsburgh Symphony Orchestra, music director Manfred Honeck thought to spotlight them with a new work. The commission went to Leshnoff, who was happy to produce the
Flayed is a composer's equivalent of a free improvisation on a few motives. While the overall structure of the piece is a tidy A-B-A form, the individual phrases are often irregular or elided and