A powerhouse arrangement of this march for the concert band! Written at an accessible Grade 3.5, this march is sure to impress. As an opener, closer, or mid-concert show-stopper, this will be an audience
This bright, spirited march is dedicated to the 552nd Air National Guard Band. The lively opening flute duet, the full-bodied ensemble sections, and the closing woodwind feature make for an exciting playing
Intended for very young bands, this march uses the first six notes in a creative way that enables young students to develop independent part playing and introduces some imitation. With a short percussion
This will be an audience favorite to open or close your next concert! Playful harmonies and lively melodic lines stand out immediately in this energetic contemporary march. The attention to scoring ensures
The rousing march music of John Philip Sousa has been an audience favorite for generations. This spirited medley combines themes from four of Sousa's most famous marches: The Washington Post; Semper
Grab the audience 's attention with this ear-pleasing toe-tapper. A perfect opener or closer for your first concert, it's also an ideal vehicle to teach march style. Professionally written, pedagogically
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March style is a very important part of band heritage and this well written original allows the youngest musicians to perform it with great results. Using only the first six notes of the B flat scale and
"Action Front" was the command given to artillery units to have cannons moved into position for battle during the Civil War. Ronald Knoener, well known for his many fine regimental marches, wrote this piece
This concert march was written specifically for young musicians. As the title indicates, the jubilant and upbeat spirit portrays a strong sense of unity that emanates throughout the piece. It's perfect for
A fun and accessible piece that is perfect for introducing young players to the march form. Uses only the first six notes of the B-flat scale.
Composed on the night of the bombing of Pearl Harbor, this march was heard regularly on weekly national radio broadcasts throughout World War II. This version is written in the key of F and