These trios arrangements were scored and compiled basically for recreational playing, yet keeping in mind many of the problems confronting young players. The music is carefully phrased, and unlike many
Ahoy! This jaunty little sea chanty in 4/4 time is a fun arrangement for younger ensembles. The staccato notes in the lively melody enhance the mood, and a bit of confidence will bring on a dynamic
Adaptable Trios, the newest series from Excelcia Music Publishing, contains 25 newly-composed or arranged trios that can be flexibly used with any combination of wind and percussion instruments in
The resurgence of the sea shanty as a cultural phenomenon in 2020 was a perfect flashpoint for this collection of 16 well-known and rediscovered shanties. Arranger Tyler applies his experience writing
This useful collection contains 27 newly arranged trios written at Grades 1.5 to 3. Designed to be used with any combination of three wind instruments with or without percussion, the possible combinations
Completed in September of 1978, Adventures for Three Woodwinds was written for the Kappelle Woodwind Trio, who performed it many times including in Carnegie Recital Hall in New York City. A lively
Charming, characteristic Mozart work with a light style throughout.
Two nicely contrasting movements.
Piae Cantiones, published in 1582, is a collection of late medieval sacred and secular songs begging to be given performance, either as written, or perhaps in new settings. Three sacred tunes in
The first and fifth movements use the same melodic material using very different speeds and rhythms. The second and fourth movements also use their own set of like material, first appearing as a horizontal
In this textural tour de force, a trio of flutes creates unique sound colors and gestures to dramatically depict the archangels Michael (Warrior), Raphael (Healer), and Gabriel (Herald). Advanced flutists
This ballad, written for three woodwinds, is a slow song written in jazz ballad style with jazz and contemporary harmonies. It’s a nice addition to a concert with a little different and very
The languid, steamy nature of this 7-minute slow-fast-slow work, as well as its title, were premises of a consortium commission specifically to showcase the warm sounds of flugelhorn and alto flute.