Henle Urtext Editions

The composition 1.X.1905, generally referred to as a “sonata,” stems from the autumn of 1905, the peak of the riots between the Czech- and German-speaking populations in

Edited by Christian Bellisario.  For solo cello.  Urtext Edition.  Preface in Ger., Fr. and Eng.  Study score includes critical commentary.  Study score, 42 p.

Edited by Ernst-Gunter Heinemann. Published by Henle, Munich. Copyright 1994. Debussy's Etudes contain some of his finest piano music. This volume contains all 12 Etudes, from both books. Urtext edition

Edited by Laszlo Somfai. For piano. Urtext Edition, based on the first edition published by Universal in 1920. Preface in Ger., Fr. and Eng. Includes critical commentary. Score, 24 p.

"More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello," then-famous Berlin cellist Jean-Louis Duport thus opens his "Essai" from 1806,

To this day, Pierre Rode's  “Caprices” are a milestone in every violinist's education conservatory level. This Urtext edition offers detailed text regarding source material and historical

Edited by Dominik Rahmer.  For solo piano.  Urtext Edition.  This edition includes the Preludes in the final version intended by the
composer as a cycle.  Fingerings by Marc-Andre

Dont, Kreutzer, Rode: three of the most prominent violin pedagogues of the nineteenth century are united here in one volume. At the outset of the nineteenth century, Rodolphe Kreutzer and Pierre Rode each

Among the Variations on an Original Theme, WoO 80 from 1806 constitutes a special case in that Beethoven consciously draws on older practices. A chromatically descending bass line in the theme provides the

These eight songs are among Strauss' most famous lieder. They were written in the mid-1880s on poems of Hermann von Gilm and are the first songs that Strauss assembled into a single opus and allowed to be

No singer is able to ignore Beethoven's Adelaide. There are thousands of recordings; many love this lyrical setting of Friedrich von Matthisson's poem. Matthisson himself said of it: "Several

This dramatic masterpiece is a standard selection in the soprano repertoire. The origin of this concert aria, though, is swathed in mystery. We still do not know where Beethoven found the text for the aria.

Edited by Peter Jost. For piano solo. Urtext Edition. Preface in Ger., Fr. and Eng. Includes critical commentary. Score,